Bands

You won’t find much argument to comments that the Sydney live music scene is behind that of other major cities across the country. So, with the closure of iconic venues like the Hopetoun Hotel and potential barring up of the Annandale Hotel and the Harp, one has to wonder if we’re not shooting ourselves in the foot.

The pub where the music died. Picture: Rachel Moor

Yes, the financial issues of an establishment are beyond the control of those outside, but can be helped by the simple patronage of the public.

I don’t have the influence of more established musicians, nor the years of industry insight of others who have exposed themselves to hundreds of hours of beer-soaked carpet and screaming amplifiers; but as an unknown, independent musician, the future’s looking bleak.

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  • Bas says:

    03:23pm | 18/11/09

    Well said Symon, people just don’t appreciate how hard musicians work before even landing a gig. All made more difficult with the replacement of band rooms with poker machines, the Governments have a lot to answer to. Sydney is just not what it used to be, like in the 80’s… Read more »

  • Steve Dave says:

    05:00pm | 22/10/09

    I played at the hopetoun once. It sucks that it’s closing, but it wasn’t that great of a venue. The sound sucked and it was a tiny room. Read more »

 

It’s a record label that carries a quote from muck-raking journalist H.L. Mencken as its motto, was largely responsible for ending the death penalty in Illinois and has provided work for hundreds of otherwise unemployable people.

Bloodshot Records, set up in inner city Chicago 15 years ago this month, is one of those labels you always take notice of when there’s news of a release or one of their artists is touring. The label pioneered its own sound – called “insurgent country” because it was different to the Nashville sound and didn’t fit with what was being recorded in Austin, Texas or Bakersfield in California.

The genius behind Bloodshot came from two punk drummers, Rob Miller and Nan Warshaw (the third founder was sometime music writer Eric Babcock, who now runs a Nashville label, Checkered Past) and the company’s journey since 1994 tells the story of recorded music over the years.

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  • Rob Miller says:

    10:26am | 08/01/10

    I am a great fan of Nick Hornby’s.  I wonder how easy going he is when his art is passed around for free, what with the Kindle gaining a foothold and the technology “improving” so that novels can be passed as freely as music.  What does it say about our… Read more »

  • Richard says:

    09:49am | 18/09/09

    Great label it is too - http://www.bloodshotrecords.com/ Read more »

 

“There is nothing wrong with the music business, there is a problem with the CD business.” - Chuck D

Chuck D, Flavor Flav and a guy with really bad goatee

If you reduced the last decade’s discussion about the music industry to a single word, it would be decline. 

And yet, observing music consumption over the same period, the opposite is true. More people are listening to music in more ways than ever before.

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  • D says:

    03:00pm | 07/08/09

    Hi I’m an indie muso, label. 5 years ago I assembled a working model for online mp3 retail, largely following advice that Phil Tripp & IMMEDIA! were blogging about at that time. I actually got it all set up before iTunes Aust & the majors came online - they were… Read more »

  • Andrew McMillen says:

    09:27pm | 06/08/09

    “Music industry people know what needs to be done and how things need to change, but you can’t implement that kind of shift within a multi-billion dollar industry still overly reliant on CD sales.” This point is central to the discussion. Digital distribution disrupted the business with which the record… Read more »

 

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