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        <pubDate>Thu, 14 Mar 2013 19:00:10 +0000</pubDate>
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            <title>Coming to a venue near you: Performing live, while dead</title>
            <link>http://www.thepunch.com.au/articles/coming-to-a-venue-near-you-performing-live-while-dead/</link>
            <description>I loved gangsta rap. Of course I did. I was a middle&#45;class kid in an ethnically diverse public high school in Sydney&#8217;s inner west, in the 1990s. That&#8217;s many ticks in some record&#45;company&#8217;s market research survey. 


Warning: explicit language. 

The music doesn&#8217;t resonate with me the way it once did, but when I hear the blasting horn intro of the Joe&#45;Cocker sampled California Love, the wannabe &#8216;G&#8217; inside resurfaces and I want to pour one out for my homiez, and wish I could see Tupac or Biggie in concert. 

By &#8216;Pac&#8217;s death in &#8216;96 hip&#45;hop was well into its golden age. It was at a turning point where the genre was going mainstream, but hadn&#8217;t yet mutated into mindless pop&#45;rap. It was a time where there was no possible universe where Snoop Dogg would collaborate with Katy Perry. And when that happened, all hip&#45;hop heads ever talked about was how Pac and his deceased contemporary, Notorious B.I.G., would never have teamed up with these &#8216;sell&#45;outs&#8217;. But Tupac&#8217;s posthumous performance as a hologram at Coachella showed us this scenario was definitely possible, whether Pac 1.0 (the flesh and blood one) wanted it to be or not.</description>
            <author>feedback@thepunch.com.au (The Punch Team)</author>
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            <comments>http://www.thepunch.com.au/articles/coming-to-a-venue-near-you-performing-live-while-dead/#comments</comments>
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            <pubDate>Thu, 14 Mar 2013 19:00:10 +0000</pubDate>
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