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        <title>Television | Tags | The Punch</title>
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        <description>Politics, political opinion, world news, sports news and the latest news and views updated live, daily on The Punch - Australia's best conversation.</description>
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        <copyright>Copyright 2012 The Punch</copyright>
        <managingEditor>penberthyd@newsltd.com.au</managingEditor>
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        <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
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        <category>Politics, opinion, world news, sports news, latest news, views, Barack Obama, Kevin Rudd, Julia Gillard, Nathan Rees, Malcolm Turnbull, Peter Garrett, Barnaby Joyce, Australian, federal politics, opinion polls, election, The Punch, thepunch, punch</category>
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            <description>Politics, political opinion, world news, sports news and the latest news and views updated live, daily on The Punch - Australia's best conversation.</description>
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        <item>
            <title>If we wanted reality, we&#8217;d turn off the television</title>
            <link>http://www.thepunch.com.au/articles/if-we-wanted-reality-wed-turn-off-the-television/</link>
            <description>&#8220;Some day, far into the future, this here machine will become a powerful medium with the potential to unite nations and inspire common folk through high&#45;definition images of overweight D&#45;list celebrities struggling to run and weeping atop rowing machines&#8221;.



Do you know to whom this quote &#45; which is believed to have been uttered at the unveiling of the first television set &#45; is most commonly attributed to? 

Nobody. Absolutely no one said this.</description>
            <author>feedback@thepunch.com.au (Antony McMullen)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/if-we-wanted-reality-wed-turn-off-the-television/#comments</comments>
            <enclosure url="http://www.thepunch.com.au/images/uploads/thumbnails/Antiquetvthumb.jpg" type="image/jpeg" />            <guid>http://www.thepunch.com.au/articles/if-we-wanted-reality-wed-turn-off-the-television/#item7710</guid>
            <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/tags/television/">Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</source>
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        <item>
            <title>A Logie award should be a valuable prize</title>
            <link>http://www.thepunch.com.au/articles/a-logie-award-should-be-a-valuable-prize/</link>
            <description>Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</description>
            <author>feedback@thepunch.com.au (Antony McMullen)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/a-logie-award-should-be-a-valuable-prize/#comments</comments>
            <enclosure url="http://www.thepunch.com.au/images/uploads/thumbnails/karl-academy.jpg" type="image/jpeg" />            <guid>http://www.thepunch.com.au/articles/a-logie-award-should-be-a-valuable-prize/#item7593</guid>
            <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/tags/television/">Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</source>
        </item>
        
        <item>
            <title>Why The Wiggles&#8217; PR debacle shouldn&#8217;t make us squirm</title>
            <link>http://www.thepunch.com.au/articles/Why-the-Wiggles-pr-debacle-shouldnt-make-us-squirm/</link>
            <description>The recent Wiggles interview on the Today Show is worth a look.



Now in these matters I am no polemicist. Although I am used to politics, I am neither Team Sam or Team Greg. I have two young daughters who fall into the Sam generation, but most of our Wiggles collections (DVD&#8217;s, CD&#8217;s, books, toys and even videos) are hand&#45;me&#45;downs from the Greg era. 

In fact the yellow Wiggle is a source of considerable confusion at home.</description>
            <author>feedback@thepunch.com.au (Antony McMullen)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/Why-the-Wiggles-pr-debacle-shouldnt-make-us-squirm/#comments</comments>
            <enclosure url="http://www.thepunch.com.au/images/uploads/thumbnails/wigglesthumb.jpg" type="image/jpeg" />            <guid>http://www.thepunch.com.au/articles/Why-the-Wiggles-pr-debacle-shouldnt-make-us-squirm/#item7579</guid>
            <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/tags/television/">Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</source>
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        <item>
            <title>The great wall of Cabramatta</title>
            <link>http://www.thepunch.com.au/articles/The-great-wall-of-cabramatta/</link>
            <description>On Tuesday night, four shots were fired into the front of a Wetherill Park home. Inside a woman and her two children were sleeping. This incident was the ninth shooting to take place in Sydney in eight days. NSW Police have not laid any charges and have voiced their frustration, blaming the &#8220;wall of silence&#8221; in the community.



On Saturday, 25 May 2002, a man shot and wounded seven people including a child attending a wedding at a restaurant in Cabramatta. There were 140 witnesses in the New World Restaurant but no one was able, or willing, to give a clear description of the gun man.

It seems the more things change, the more they stay the same.</description>
            <author>feedback@thepunch.com.au (Antony McMullen)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/The-great-wall-of-cabramatta/#comments</comments>
            <enclosure url="http://www.thepunch.com.au/images/uploads/thumbnails/great-wall-cabra-THUMB.jpg" type="image/jpeg" />            <guid>http://www.thepunch.com.au/articles/The-great-wall-of-cabramatta/#item7570</guid>
            <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/tags/television/">Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</source>
        </item>
        
        <item>
            <title>Can Gervais save Hollywood from itself?</title>
            <link>http://www.thepunch.com.au/articles/can-gervais-save-hollywood-from-itself/</link>
            <description>Gah. The Golden Globes. If you don&#8217;t like frocks, and can&#8217;t bear self&#45;indulgent speeches thanking God, long&#45;dead parents, a dog etc, you&#8217;d be forgiven for not giving the telly even the slightest glance this lunchtime. Except that is, for Ricky Gervais.



Yep, the Brit funny man who made working in a drab back office in a west&#45;London suburb hilarious, could save the Golden Globes. And all earnest, glamour&#45;loving Americans. From themselves. 

Tonight will be Ricky&#8217;s third time hosting the champagne and taffeta&#45;fuelled, red&#45;carpet fiesta. But after managing to offend nearly everyone in Hollywood last year, this year&#8217;s invitation surprised many.</description>
            <author>feedback@thepunch.com.au (Antony McMullen)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/can-gervais-save-hollywood-from-itself/#comments</comments>
            <enclosure url="http://www.thepunch.com.au/images/uploads/thumbnails/gervais_thumb.JPG" type="image/jpeg" />            <guid>http://www.thepunch.com.au/articles/can-gervais-save-hollywood-from-itself/#item7536</guid>
            <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/tags/television/">Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</source>
        </item>
        
        <item>
            <title>Top tips for becoming a reality TV star</title>
            <link>http://www.thepunch.com.au/articles/top-tips-for-becoming-a-reality-tv-star/</link>
            <description>Christmas is over, the hangover from New Years has receded and instead of having a New Years resolution of giving up smoking or losing weight, you have decided you want to be a reality TV star.



Whether it is to be famous, or just to have an interesting unique experience, here are some tips that will get you closer to hearing &#8220;lights, cameras, action&#8221;! Being sexy, humorous or able to cause conflict may help you get on the show, however, all shows need a diversity of people to make it interesting and to keep it real.

1. Decide which show you are best suited for.
If you can&#8217;t sing or dance forget the talent shows like The Voice, The X Factor or Australia&#8217;s Got Talent. If you can cook Masterchef Australia, and My Kitchen Rules are possibilities.</description>
            <author>feedback@thepunch.com.au (Antony McMullen)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/top-tips-for-becoming-a-reality-tv-star/#comments</comments>
            <enclosure url="http://www.thepunch.com.au/images/uploads/thumbnails/hayden-quinn-thumb.jpg" type="image/jpeg" />            <guid>http://www.thepunch.com.au/articles/top-tips-for-becoming-a-reality-tv-star/#item7482</guid>
            <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/tags/television/">Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</source>
        </item>
        
        <item>
            <title>A story most parents and teens can afford to miss</title>
            <link>http://www.thepunch.com.au/articles/a-story-most-parents-and-teens-can-afford-to-miss/</link>
            <description>The so&#45;called Bali Boy is back in Australia. It is only a matter of time before he turns up on the idiot box for an exclusive tell&#45;all interview, promoted by whatever ratings&#45;hungry network shells out the cash, as a cautionary tale which no parent and no teenager can afford to miss.



It is of course a story which most Australian parents and teenagers can very much afford to miss. Most Australian parents and teenagers would not be so breathtakingly foolish as to land in a country renowned for executing the most minor of drug offenders, and immediately shell out the requisite rupiah for a bag of Balinese dope.

Outside of this majority there is a disturbingly large subculture in Australia which has been brought into focus by this case. It&#8217;s a subculture which has two notable features. The first is the extent to which cannabis use has been normalised, where it is barely regarded as a drug at all but as something which most people will smoke without consequence from a young age. So much so that we wind up with the spectacle of a 14&#45;year&#45;old boy standing before an Indonesian court revealing that he has become addicted to the drug, right under the nose of his parents.</description>
            <author>feedback@thepunch.com.au (Antony McMullen)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/a-story-most-parents-and-teens-can-afford-to-miss/#comments</comments>
            <enclosure url="http://www.thepunch.com.au/images/uploads/thumbnails/aaaaaaaboythumb.jpg" type="image/jpeg" />            <guid>http://www.thepunch.com.au/articles/a-story-most-parents-and-teens-can-afford-to-miss/#item7304</guid>
            <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/tags/television/">Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</source>
        </item>
        
        <item>
            <title>Biggest Moments of 2011 #21 Sandilands scrapes the barrel</title>
            <link>http://www.thepunch.com.au/articles/biggest-moments-of-2011-21-sandilands-scrapes-the-barrel/</link>
            <description>What happened
This all started when a bearded, talentless big mouth couldn&#8217;t handle a spot of criticism. So instead of flinging a few well&#45;aimed barbs at his critics, he decided to shoot the messenger. What a tough guy.



Let the record show that Kyle deserved the derision. His show contained, among other mind&#45;numbing stupidity, a segment where he felt a guest&#8217;s boobs. The ratings didn&#8217;t lie. They rarely do. An initial audience of 1.3 million shrunk to a paltry 200,000 within minutes.

Afterwards Twitter went into meltdown canning the show. Enter numerous entertainment reporters and bloggers who duly recorded the Twitter mood. One of them was news.com.au&#8217;s Alison Stephenson. Ali is capable of excellent colour writing on her day, but on this occasion, she wrote a completely straight, unremarkable account of the Twitter reaction.</description>
            <author>feedback@thepunch.com.au (Antony McMullen)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/biggest-moments-of-2011-21-sandilands-scrapes-the-barrel/#comments</comments>
            <enclosure url="http://www.thepunch.com.au/images/uploads/thumbnails/pig-kyle-THUMBNAIL.jpg" type="image/jpeg" />            <guid>http://www.thepunch.com.au/articles/biggest-moments-of-2011-21-sandilands-scrapes-the-barrel/#item7294</guid>
            <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/tags/television/">Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</source>
        </item>
        
        <item>
            <title>O what a TV flop!</title>
            <link>http://www.thepunch.com.au/articles/O-what-a-tv-flop/</link>
            <description>Nearly a decade ago, Channel Seven programmers were keen to give a stunning Gold Coast girl air&#45;time. Jacqueline Last, nowadays better known as Jackie O, soon proved the point that being photogenic doesn&#8217;t mean you&#8217;ll be good on TV.



Screen presence, that certain je ne sais quoi, is an indefinable quality that draws the viewer in and makes you keep watching. The weird science of video lens calibration that captures you in a sequence rather than a single shot is a unique beast.

Audiences can smell a dud a mile off. No matter how stunning or controversial someone might be, if they don&#8217;t have screen presence the viewer will revolt. As they did in droves, when the initial audience of 1.2 million watching Jackie O and Kyle What&#8217;s&#45;his&#45;name&#8217;s first TV show diminished to just 200,000 near the end of the show. That, after a 1.4 million lead in. Apparently Channel Seven have short memories.</description>
            <author>feedback@thepunch.com.au (Antony McMullen)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/O-what-a-tv-flop/#comments</comments>
            <enclosure url="http://www.thepunch.com.au/images/uploads/thumbnails/jackie-o-wall-THUMBNAIL.jpg" type="image/jpeg" />            <guid>http://www.thepunch.com.au/articles/O-what-a-tv-flop/#item7278</guid>
            <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/tags/television/">Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</source>
        </item>
        
        <item>
            <title>New rollout of Knockout is a sellout and a copout</title>
            <link>http://www.thepunch.com.au/articles/New-rollout-of-knockout-is-a-sellout-and-a-copout/</link>
            <description>Every now and then, you might come across a disaster of some kind and have the inexplicable urge to stare at it. It could be a train accident, or a natural disaster. On Sunday night, it was on Channel 10. More than a million Australians went through this feeling, powerless to stop it from unfolding.




After resting for more than 20 years, It&#8217;s a Knockout is back on our screens &#45; hopefully sufficient time for the nostalgia factor to kick in. It delivered a much needed ratings debut to Channel 10 to start the summer, but viewers watched in horror as their cherished childhood memories were harvested.

For the most part it was simply that the concept hasn&#8217;t stood the test of time well, but for a remake it also did little to match the tone and atmosphere. It was the equivalent of buying something dodgy from China off eBay and calling it an iPad.</description>
            <author>feedback@thepunch.com.au (Antony McMullen)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/New-rollout-of-knockout-is-a-sellout-and-a-copout/#comments</comments>
            <enclosure url="http://www.thepunch.com.au/images/uploads/thumbnails/itsaknockout.jpg" type="image/jpeg" />            <guid>http://www.thepunch.com.au/articles/New-rollout-of-knockout-is-a-sellout-and-a-copout/#item7253</guid>
            <pubDate>Thu, 09 Feb 2012 19:00:12 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/tags/television/">Voting is now open for TV Week&#8217;s Logie Awards, have you got your vote in? No? That&#8217;s not surprising. I&#8217;m sure that most people in Australia would give the same answer.



It&#8217;s strange that we place so much emphasis on these awards in Australia&#8217;s television industry. TV Week claims a weekly readership of 759,000, and their key demographic of teenage girls is hardly representative of the Australian population. There&#8217;s a reason that Kylie Minogue took out the Gold Logie in 1988 at 19.

And yet until 2011, this key readership was charged with choosing what is classed as &#8216;the best&#8217; that Australian television has to offer. The process has definitely improved by opening the voting up to everyone via the internet, and not just those that sent in magazine cuttings with their votes. But the fact that we&#8217;re making it a popularity contest open to the public is a flawed system.</source>
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