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        <title>Ashleigh Wilson | Author bios | The Punch</title>
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        <description>Before starting in newspapers, Ashleigh Wilson considered himself a professional jazz pianist. Then fate intervened – that is, he failed to get accepted into the Sydney Conservatorium of Music. So he went on to serve as a copyboy, a now defunct journalistic hazing program, at News Limited in Sydney. In early 2000 he joined The Australian. He worked out of the Brisbane office before moving north to become the paper&#8217;s Darwin correspondent, a tumultuous period bookended by the Falconio trial and the intervention. He returned in 2008 to Sydney, where he is now deputy Arts editor.</description>
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        <pubDate>Sat, 26 May 2012 20:00:49 +0000</pubDate>
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        <category>Politics, opinion, world news, sports news, latest news, views, Barack Obama, Kevin Rudd, Julia Gillard, Nathan Rees, Malcolm Turnbull, Peter Garrett, Barnaby Joyce, Australian, federal politics, opinion polls, election, The Punch, thepunch, punch</category>
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            <title>Annie Leibovitz: Still life</title>
            <link>http://www.thepunch.com.au/articles/annie-leibovitz-still-life/</link>
            <description>She&#8217;s shot the Queen, Obama, Nelson Mandela, George W. Bush&#8217;s cabinet and countless celebrities, not to mention a famously intimate portrait of John Lennon, curled up naked against Yoko Ono, just hours before the singer was shot.



But even though her best known work features the kind of faces likely to grace the covers of Vanity Fair and Rolling Stone, Annie Leibovitz has long resisted the label of celebrity photographer. 

Still, there are some things she can&#8217;t ignore.</description>
            <author>feedback@thepunch.com.au (Ashleigh Wilson)</author>
            <category>Article, Behind the picture</category>
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            <pubDate>Wed, 17 Nov 2010 19:40:33 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/author-bios/ashleigh-wilson/">Ashleigh Wilson | Author bios | The Punch</source>
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            <title>How Peter Garrett lost the support of the art world</title>
            <link>http://www.thepunch.com.au/articles/how-peter-garrett-lost-the-support-of-the-art-world/</link>
            <description>I once encountered Peter Garrett on the way to Coober Pedy.



I was shooting down the Stuart Highway, several hours through a tough, dry, apocalyptic part of central Australia, when mine shafts, mounds and machinery appeared over the horizon. My iPod, running on shuffle, picked the mood perfectly: Blue Sky Mining.

On that day, the Midnight Oil frontman was in the right place at the right time. But since he entered politics, recruited by Mark Latham, Garrett&#8217;s timing has been off. Some of his strumbles are well&#45;known: messing up the insulation scheme, or saying in front of Steve Price that Labor would ``change it all&#8217;&#8217; if it won power. His responsibilities were first reduced in 2007, when Kevin Rudd handed responsibility for climate change to Penny Wong, a shrinkage later repeated when Greg Combet was asked to fix insulation. Now he&#8217;s lost arts too.</description>
            <author>feedback@thepunch.com.au (Ashleigh Wilson)</author>
            <category>Article</category>
            <comments>http://www.thepunch.com.au/articles/how-peter-garrett-lost-the-support-of-the-art-world/#comments</comments>
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            <pubDate>Sun, 12 Sep 2010 19:35:52 +0000</pubDate>
            <source url="http://www.thepunch.com.au/rss/author-bios/ashleigh-wilson/">Ashleigh Wilson | Author bios | The Punch</source>
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