Those plotting the demise of the latest NSW Premier - along with those of us simply looking on in resigned bemusement – could do well to tune into the free-to-air premiere of ‘The Wire’ on ABC-2 tonight.

David Simon’s masterpiece, rightly dubbed the ‘greatest TV show ever made’, is ostensibly about the drug trade in Baltimore. While first-time viewers will think they have stumbled upon just another cop show, as they become addicted they will be drawn into the workings of a post-industrial city.

‘The Wire’ is about the connections that bind a city – from the projects to the ports, from politics to education, to the crumbling power of the media. It shows how systems now rule and render good men and women powerless.

As you might be guessing by now, I am a bit of ‘Wire’ geek – I watched the five series end to end last year and was totally blown away by what it achieved.

I consumed all the DVD Special Features, I sought out the fansites, I googled for interviews with Simon, a one-time police reporter on the Baltimore Sun, to get a handle on how he had created such a rich story.

What I stumbled upon helps explain why ‘The Wire’ works so well, but also why so much of what passes as drama – and for that matter what passes as political analysis -leaves me cold.

In an interview with British novelist Nick Hornby Simon explains how in creating The Wire he had embraced the Ancient Greek tradition of story telling, where the city takes precedence over the individual.
As Simon explains it most contemporary stories – good and bad – follow the Shakespearean tradition, revolving around individuals whose rise and fall are dictated by their own personal qualities and failings.

The earlier Greek tradition presents ‘doomed and fated protagonists who confront a rigged game and their own mortality’, they are individuals whose stories are written by their surrounds.

I think this distinction is a profound one. If you look at the way that we think of modern politics, so much of it seems to be framed by the Shakespearean notion of the ‘Great Man in History’.

Modern politics is all about the leaders, it is their personal journeys, their decisions, their character traits; it is a personal narrative that in over-stating the role of the individual, leaves them doomed to fail.

The Greek telling of modern politics would focus more closely on the challenges that constrain leaders, the way they are limited by the decisions that we as a society make.

Which brings me to Nathan Rees – because if ever we have had a leader who is a product of his environment and a victim of the systems we have all been responsible for creating, Nathan Rees is that man.

You can line up all the problems facing NSW and it is hard to pin any of them on the Rustnut, indeed its hard to see how any leader, no matter how Great a Man (even Barak O’Farrell) could make any real difference right now.

- On state infrastructure – we wanted the Olympic Games and worked ourselves into a catatonic state to get them sinking a decade of major investment into a theme park without a punch-line.

- On state debt – we demand balanced budgets but refuse to countenance tax increases – even when they are on the properties of millionaires. Then we demand AAA credit rating, without knowing what it means.

- On public services – we are the ones seduced by statistics like waiting lists and school league tables, even when the experts tell us they bear little relation to service delivery. One of the interesting plotlines in The Wire is the way stat-based policy in policing and education pervert the system.

- On transport – we are the ones who want our own quarter-acre block, even if we need to move further out of the city, meaning we need roads for our cars now, unable to wait the decade for a rail network.

- On public debate – we are the ones who stopping buying newspapers and watching news, meaning the outlets needs to push harder and harder for audience, driving the soap opera approach to politics. 

In these and so many other ways we, the people, make decisions every day that constrain our leaders and limit their ability to lead – we put them in a strait–jacket and then condemn them for lacking dexterity.

Perhaps this is what the adage, “we get the leaders we deserve” really means. It’s probably not a lot of solace to Nathan Rees, but I reckon he’s the least of our problems.

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8 comments

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    • Rob M says:

      06:34am | 01/09/09

      The first three series of ‘The Wire’ have been shown on Channel 9 in Australia.

      ABC2 is screening repeats.

    • Dem says:

      07:00am | 01/09/09

      While ‘Forest Gump’ Rees is a peak tragic-comic Labor figure, we can see a similar fated Labor institution producing media-robotic, sound-bite leaders like Anna Bligh in Qld and Mike Rann in South Australia governing on the basis of ‘frightened consensus’ and empty speeches. As the Mayor on The Wire did. Politics and the media now operates off the lowest common denominators. The most sad part is that they pretend like we don’t know! Welcome to the badly marketed Labor sequel of Howards dumbed down Australia. BTW what’s your take on the train symbolism in The Wire?

    • Kick Knave says:

      08:36am | 01/09/09

      Rubbish. The people want solutions, however, established interests prevent them. What you refer to as what “we” want, is merely the right wing press’s version of public opinion. How can you blame the public when the real solutions don’t even get a look in by the two major political parties and the media? Indeed people are probably ignoring the media because the quality of journalism has deteriorated so much. But that’s okay, because its exactly how the established interests want it.

    • Peter says:

      09:29am | 01/09/09

      It is hard to imagine if we shall ever see a political figure of any stripe or gender who can surmount these cultural/political givens to actually bring about change and deep innovation.  Yes, political journalism is now so superficial and reactionary (not just reactive!). I want to be optimistic but .... John Keane’s warnings about Democracy “sleepwalking” into the darkest swamp are starting to alarm even more. (“The Life and Death of Democracy”)

    • Stephen Hill says:

      01:14pm | 01/09/09

      Fantastic analysis Peter, but maybe a little too much “post-political despair” - fortunately Sydney is not Baltimore, even if there is a little Major Carcetti in some of Ree’s dilemmas. (Mind you I wish this state had a uni funded like John Hopkins or the University of Maryland).

      I’m also a “The Wire” junkie, and what knocked me over about the series is how Simon used such a large canvas to allow us to witness the usually unseen linkage of the various strata of society - allowing us to see how poor decision making permeates itself down to those in the most precarious position in society.

      To me this is a story about institutions - Series 1 (the police and the law), Series 2 (the collapse of unionised collectivity), Series 3 (machine politics), Series 4 (the nexus between poor education/social welfare outcomes and gang activity) and Series 5 (the dumbing-down of the media).  And what makes it so compelling is how the storytelling allows us to see how the system is compromosed by the self-serving nature of many of the characters - how it is the inevitably the careerism that drives the zombie politics of the city - leading to a system that attempts to make everyone look good - with the police captains duking the stats, the schools forced into rote teaching of abstract principles (despite knowing many of the students require much more personalised learning), police investigations determined by external and internal politics, lives and police investigations risked by the cowboy mentality of poorly-trained officers.

      It’s mighty clever in allowing us to see the fragmentation of responsibility that is the result of the ever increasing complexity of urban existence, in which we see how the system is spoiled by people acting out their own personal desires and how parts of the wider cultural interest have been defined away by an apathy of individuals often unaware how some of their actions will detrimentally effect the lives of their fellow human beings.

    • Stephen Hill says:

      04:15pm | 01/09/09

      Interesting minor point, I think there is one error in “The Wire.”  During Series 3 Mayor Carcetti is conversing with the former Mayor of Baltimore who we are told served only one term because of the Baltimore Riots following the assassination of Martin Luther-King. The problem is Baltimore has had only one Republican Major of Baltimore in the last 50 years, and that was before the Baltimore Riots. On this I think the history is a lot more complex, the way I viewed the episode it came across that the Demcratic major D’Alessandro was thrown out of office,  it seems more likely that it was the sheer exhaustion of the job (the continual eating of “shit sandwiches” as Carcetti is warned on his first day as mayor). Check out Fraser Smith’s biography of D’Alessandro’s Democratic successor William Schaefer - around page 60 deals with the unrest of the times. Also the Republican mayor before him (1963-7) comes across as pretty decent guy - its shame the liberal New England Republicans are a dying breed.

      Also if I recall Carcetti’s adviser claims Spiro Agnew’s bellicose response to the riots would lead to him being elevated to the position of Vice-President. I’m not sure about this claim, I believe one of the main reasons Nixon selected Agnew (Governor of Maryland) was because he was a Republican candidate who had won a very blue-state. Ironically Agnew would only win due to a quirk of fate that would see a George Wallace-like segregationist score an upset win in the Democratic primary - leading to thousands of liberals and blacks to lodge protest votes with the republican candidate.

    • Peter Lewis says:

      04:35pm | 01/09/09

      Stephen, you have indeed out-Geeked me ...

      As for today;s events, I think Della reinforces the Shakespearean narrative, no?

    • delperro says:

      04:53pm | 01/09/09

      I agree with your position Peter, I think it is one of your finer posts. I agree the narrative about the “great men of politics” is one that constrains them.

      In fact, I tend to think that not only has this constrained the way we view our leaders, but the way we view the entire political process - or even what we understand politics to be.

      We understand politics to be largely a contestation between the two “great men”, seeing their parties as impediments, particularly if they have differing views that the leader - which is entirely untenable.

      Great piece. Stephen Hill, you’re a freak.

 

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