One of the strongest arguments against the exploitation of children by photographers is the potential for long term damage to the child.

What a child may “consent” to when they’re 10-years-old, might make them feel incredibly uncomfortable when they’re 17. Most of the time we don’t get to ask them.
But the Tate Modern in London has just been forced to withdraw a picture of Hollywood star Brooke Shields, taken when she was 10. It’s a rare case where we can see how the subject’s life has turned out.
The picture certainly sounds confronting. According to Paola Totaro’s report in the SMH the picture, by New York artist Richard Prince, shows Shields “aged 10, standing naked and with an oiled torso in a bathtub.”
The Guardian is running a heavily cropped version, which does serve to show just how young Shields was at the time. She’s wearing more make up than most grown women would ever apply themselves, and she looks a lot more knowing than any 10-year-old should ever be.
You can see an uncropped version at artist Richard Prince’s own website.
The work is a picture of a picture, that was originally commissioned by Shield’s mother.
Of course the current artist’s motivation was to “provoke thought about the child star’s story.”
Well, depending on your point of view, this child star seems to have survived an early career that was built on people ogling her, pretty well.
Still most famous for her role in Blue Lagoon, which was essentially a vehicle for long shots of the then 15-year-old frolicking on the beach, she is no stranger to people calling her early work “child pornography.”
Her first film Pretty Baby was set in a brothel and shot when Shields was just 11. Looking back on her career, and this new controversy, you’ve got to wonder what sort of mother would push her baby girl down this somewhat creepy path.
But to look at her now, Shields at least appears to have come through unscathed.
She’s Hollywood royalty, is treated with respect, and has had a relatively successful television career that has involved very little exposed skin. Who knows how much therapy she’s had to help her grow up.
The scandal at the Tate has been likened to the Bill Henson affair in Sydney last year when police raided the Roslyn Oxley9 gallery in Paddington and seized some of the celebrated photographer’s works.
I was uncomfortable with some of the shots, not because I thought dirty old men were going to go to the Roslyn Oxley9 gallery to get off on the pictures, but because I thought the children involved were too young to decide for themselves whether or not to take part.
I also reckon it’s very easy for a photographer to cloak their work with an artistic purpose like “exploring innocence”, or “provoking thought.”
The subjects of the Henson pictures had their anonymity protected it they choose that. Shields has none. She now has to live with her entire childhood as part of the public record.
According to the UK Telegraph in the early 80s Shields tried unsuccessfully to buy back the negatives, which indicates six years after posing for the pic she was unhappy with its existance.
I’d love to know what she thinks about it now she’s 44.
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