Whatever happened to the grand promoter of the great big ETS tax – Prime Minister Rudd? Channel 9 said it cost $1.4 million to take 68 people to Copenhagen.

What was the cost of the remainder of the 114 that actually went?
Up to Copenhagen the great tax advocates were Mr Rudd and Senator Wong who have suddenly gone very quiet and given all the running to junior Minister Peter Garrett.
Well, I remember Peter Garrett running against me and others for the Senate as a Nuclear Disarmament Party candidate.
I was elected and he was not. Now he is left to carry the can for the great big ETS tax on everything, estimated to cost households an additional $1100 a year, every year. He promises a compensation payment for some Australians but that is to be “a transitional payment”. In other words the compensation stops but the tax rolls on every year.
Poor Peter not only has to defend the indefensible great big tax but he also has to explain the Labor Party’s failure to meet the expectations they built up prior to the 2007 election. Promises were made of International Court action, tough surveillance operations by Australian ships and tough talk with Japanese leaders to stop Japanese whaling in our part of the world.
Reality – nothing achieved. Indeed the Japanese whalers have showed complete disregard and indeed contempt for the flustering Australian response to the current season of whaling. A recent radio interview he gave was so bad that a subsequent talkback caller accused the radio host of having had the interview with a Garrett impersonator!
No wonder Peter is looking forward to returning to the stage and his old career as lead singer with Midnight Oil as part of the Rogues’ Gallery event at the Opera House.
And here’s a nice segue (the ABC’s favourite word). The first night audience of the Australian Opera, at the Opera House, is always a tough audience. Appreciative, but very reticent to leap to its feet in an overt display of enthusiasm.
However the opening night of a new production of “Tosca” last week was the exception – not only a standing ovation but boos from the dissenters.
There was real passion in the theatre. It was an exciting performance and interpretation, masterfully conducted by visiting Maestro Andrea Licata.
There had been much anticipation, dare I say trepidation about this production and the Soprano engaged to sing the title role. The fact that our own home grown star Cheryl Barker had decided not to sing the role and that Tosca was to be sung by a young black American led to chat in the ladies’ loo prior to the performance that some may not stay past interval.
What unfolded was superb singing and drama. Even a small credibility problem for me with the Te deun sung by bingo players in the Church Hall did not really matter.
The tension between Takesha Meshe Kizart as Tosca and John Wegner as Baron Scarpia – surely the epitome of the evil bad guy (imagine the head of the K G B during the cold war) could have been cut with the knife Tosca stabs him with. And even the bullet in the head from one of Scarpia’s henchmen, instead of Tosca’s traditional suicidal leap from the parapet when she discovers her artist lover dead works!
Intrigued – buy a ticket, you won’t regret it. It’s an exciting new take on one of Puccini’s best and most loved Operas.
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