It was a rainy Thursday night and my thirteen-year old cousin was pleading with me to take her to see the movie Easy A.

“Please take me to see it. Please, I’ll even wash your car,” a long pause followed.
After being scolded by her over-protective mother for taking her to see Vampires Suck, I was cautious.
So I checked out a parental film review website which outlined strong sexual themes and made an interesting comment about the film’s depiction of Christians, “while the script condemns the idea of judging others, it does nothing to negate the negative stereotype of Christians portrayed in this film.”
This struck a chord, so I decided to investigate the issue. I started by seeing the film.
The plot of Easy A is centered on a rumour that teenager Olive Penderghast (Emma Stone) is “easy” or promiscuous. Here’s the catch, she’s actually a virgin who pretends to be sexually involved with her male classmates to improve their social status.
Just as the parental review stated, the antagonists are self-righteous “Christians” at her school who condemn her sinful nature and label her the school outcast. Sound like the plot of a Hollywood teen Box Office hit?
You bet, and it seems that throwing in a dash of Christian ridicule doesn’t hurt either. Anti-Christian sentiments almost always got a laugh at the session I was at.
Easy A is not the only Hollywood production profiting from the inclusion of token annoying Christian characters. You may recall Springfield’s most devout Christians, the Flander’s family. They’re the “other” nuclear family.
Unlike the Simpsons they’re helpful, kind and conscientious. If they were new age hippies we’d probably love them but for some reason the ‘Jesus’ thing always throws us off.
Here’s one for the Gleeks, Jesus-fan Quinn Fabray (Dianna Agron) is head of the cheerleading squad and president of the Christian celibacy club. The popular blonde wears a crucifix around her neck and loses her virginity to her boyfriend’s best friend and tries to convince her boyfriend it’s his baby. Once again we are not let down by a paradoxical ‘Jesus’ loving character.
Next stop The Office. Set in Scranton, Pennsylvania. Enter Angela Martin (Angela Kinsey), head of accounting at Dunder Mifflin. The uptight, judgmental blonde is famous for being a conservative Christian who cheats on her fiancé. The character has stated that if she were stranded on a deserted island she would take three books the Bible, The Purpose Driven Life and The Da Vinci Code.
If you’re confused about the latter, it’s only so she could burn it. Funny, right? It’s okay to laugh, but are Christians unjustly stereotyped on screen?
I looked to an academic in the field for answers. Charles Sturt University Professor of Theology, James Haire, is Executive Director of the Australian Centre for Christianity and Culture, he responded by saying;
“I do not agree that Christians in general are often depicted in movies and on television as fanatical extreme, judgmental and hypocrites. However, I do believe that there is a tendency to see the clergy in that light, this is because the stereotyping of opposites (e.g. the Bishop and the Actress; or religion and sex) is often seen as titillating and amusing.
“In general I do not believe that Christians as a whole are unjustly stereotyped in film and television, ” he affirms.
If this is the case then one wonders about the existence of organisations such as The Centre for Public Christianity (CPX), according to its website the organisation is ‘an independent research and media organization seeking to promote the public understanding of the Christian faith in Australia.’
Justine Toh, Senior Fellow with the Centre for Public Christianity, stated that “we’re seeing a lazy stereotype on screen which portrays Christians as judgmental, harsh, ignorant, ultra-conservative, uptight, and hypocritical: in other words, the ultimate killjoy.”
Toh said that she understands where the stereotypes stem from, “because some people’s experience of Christians and Christianity has been overwhelmingly negative.”
Many have commented on the nature of filmmaking. Even independent filmmakers have come forth about their social responsibility. Film producer/activist Trudie Styler told Inside Film Magazine said she would only create socially conscious films.
“We must be extremely responsible and accountable as filmmakers,” said Styler.
Professor Haire see things differently, “I do not think that filmmakers have any particular responsibility in this area. The market will decide on their value.”
Toh agrees, “If filmmakers want to make movies featuring conservative, uptight Christians, that’s fine. They exist. But I hope the cinema-going public isn’t satisfied with such overly simplistic portrayals.”
So, is there a decline in religious worship by younger generations and can it be linked to how religion is depicted on screen?
“In Western societies there is a decline in religious devotion. However there is a growth in the religious devotion in much of Asia, Africa and Latin America… where perceptions in the media are quite different,” responds Professor Haire.
Now back to the dilemma of whether Easy A is an appropriate film to take my younger, more impressionable cousin to see. I decided to take the road not taken, I said ‘no’ and took her to Luna Park instead. One week later she told me she saw the film. “What did you think about that Christian character? Does she make you not want to be a Christian?” I asked inquisitively.
“She was funny, but I don’t take it that seriously,” my cousin replied.
Her response was reassuring, I guess there’s still hope for the younger generation, as for Christians they’re not the only group experiencing misrepresentation in film and television and it seems they’ve got it covered.
“It’s also important to remember that many groups, not just Christians are unfairly portrayed in film. I’m sure if you talk to Muslims they will be annoyed that Hollywood tends to portray them as terrorists or fundamentalists.
“So everyone gets pigeonholed and oversimplified. That’s the nature of the Hollywood beast,” says Toh.
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