Are you offended by the C-word?

Had I asked that question a decade ago, the answer would probably have been “yes”.
But the C-bomb has been blowing up in the strangest of places – like the Facebook page of archconservative Lisa Oldfield, wife of right-wing radio broadcaster David Oldfield.
The wife of another 2UE broadcaster, John Stanley, had tweeted that Oldfield’s show was “shite”.
Lisa responded by posting this question: “Can someone tell me why John Stanley’s wife is such a c…?”
In an interview with the Daily Telegraph, she admitted her choice of language was inappropriate.
“I probably shouldn’t have dropped the C-bomb but I am just very angry.”
Days later, pop star Rihanna took to Twitter, calling US rapper KATT a c*#t, outraging many of her three million followers.
It made me wonder: Is social media softening this erstwhile edgy word?
The issue has divided feminists since the 1970s, but it was in common usage long before that.
This is from a manuscript written in the 14th century: Ȝeue bi cunte to cunnig and craue affetir wedding (Give your c*#t wisely and make your demands after the wedding).
It was later used in Chaucer’s Canterbury Tales but the context was bawdy, not offensive.
By Shakespeare’s day it was considered rather rude. In the play Hamlet, the main character cheekily refers to “country matters” with the emphasis firmly on the first syllable.
James Joyce was one of the first 20th century authors to put the word into print, in his masterpiece Ulysses: “Now it could bear no more. Dead: an old woman’s: the grey sunken c*#t of the world. Desolation.”
I was first exposed to the word through the brilliant Derek and Clive dialogues from Peter Cook and Dudley Moore. In their 1976 sketch This Bloke Came Up To Me, c*#t is repeated more than 30 times.
I thought it was one of the funniest things I’d ever heard.
Many language lovers find the use of swear words lazy; somehow lacking in creativity.
But I love them.
I enjoy watching a small word elicit a big response.
It is especially potent coming from the mouth of an otherwise elegant lady.
Feminists, though, remain divided.
In the 1970s Catharine MacKinnon argued that the word dehumanises women by reducing them to mere body parts.
But Germaine Greer, who once wrote a magazine article entitled “Lady, Love Your C*#t”, suggested there was something precious about a word that still retains the power to shock.
Some feminists want to reclaim c*#t in the same way that “queer” is embraced by the gay community.
Why should a word describing women’s genitalia be considered the worst insult in the English language?
“Dick” – with its many and varied suffixes – is used with little of the venom associated with its female counterpart.
In an interview with Rolling Stone magazine, singer Rob Thomas enthuses: “C*#t is one of my favourite swear words. I say it only around men, but I love it.”
A paradox, n’est-ce pas?
Interestingly, the use of the word in popular culture is predominantly in shows aimed at women, from Sex and the City to the Vagina Monologues.
So ladies, embrace your c*#ts (figuratively or literally, whatever floats your boat).
Let it be a symbol of power, rather than profanity.
NB: Just because this whole piece is about the word, doesn’t mean we’re going to publish it, sorry! So asterisk away, people.
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