Monday after Mardi Gras is busy in the House of Priscilla costume hire store on Sydney’s Oxford Street.


Customers traipse in to drop off their outfits, many still bleary-eyed after 48 hours of partying. Word is, this year’s Mardi Gras was a good one, even if American drag queen RuPaul was a letdown. But there’s one thing every gay man on Oxford St agrees with: Kylie Minogue stole the show.

Kylie appeared at her third Mardi Gras this year, performing a half hour set at 2am at the post-parade party. The crowd loved her. She loved them. And why wouldn’t she? The 43 year old has pretty much built her entire career around pleasing her gay constituency.

Minogue is the ultimate “fag hag”. This isn’t to denigrate her, or her music, or the gay community or anyone else. Indeed, it is to praise her business acumen. We here in the print and online media are always being told to know who our readers are, and to direct our efforts towards producing content they’ll enjoy. Kylie does exactly that, and how.

You only have to listen to the message Kylie recorded for Mardi Gras organisers on Australia Day this year to see just how focused she is on pleasing the gay community, who have been her biggest consistent fans throughout her 25 year music career.

Happy Australia Day everyone I am so sorry I can’t be there with you. As you know this year is a big one for me because we are celebrating my 25 years in the music industry, otherwise known as “K25”. So whilst I can’t be with you for Australia Day, I do have some rather exciting news and that is that I am coming home for Mardi Gras this year. Yes, I am going to be with you for Mardi Gras, I’ve done it twice before, this will be my third time, I simply cannot wait and it’s going to be a beautiful way to celebrate 25 years of this relationship. Your support over the years has just been phenomenal and I can’t wait to come home and share that with you, so see you in March.

“Twenty five years of this relationship”. You’ve never heard Kylie talk about “her relationship” with middle Australia, have you? This woman clearly knows which side of her bread has the butter.

“She’d be a fool not to take advantage of those who love her the most.” says Steve Bloom, a patron in House of Priscilla.

Steve’s got a point. Which is not to say Kylie doesn’t have fans scattered out there in what might be termed mainstream Australia. She does. They are everywhere.

But support is patchy. Bieber’s got the tweens and he’s got ’em en masse. Gaga has the teens and 20-somethings. Madonna’s got nearly everyone else, even if we’re more transfixed by her ongoing weirdness than her overwhelming talent.

Kylie doesn’t have a natural mass audience here anymore. Not since the prehistoric hits Locomotion and I should be so Lucky. After those early bubblegum tunes, she was whooshed off by her songwriters and image-makers to the land of electronica, where she was promptly adopted by homosexual men.

In the zone between the safety of pop and the edginess of raunch, Kylie found her niche. A brief, misguided attempt at Indie cred in her duet with Nick Cave was a rare mis-step.


Kylie thereafter resisted the Madonna urge for relentless upheaval and reinvention. Give or take a bunch of outfit changes, she has more or less remained a brilliant, hot-pantsed exponent of dance music and a gay icon.

There is nothing ironic about the gay community’s admiration for Kylie. Again and again, the word applied to Kylie by people on Oxford Street yesterday was “genuine”.

She is also, says House of Priscilla owner Anthony Defina, the consummate entertainer. “Her costume sense is theatrical, and her music is great fun dance music which everyone can sing along to.”

Twenty-something women aren’t sold. “I don’t like her because she has no personality,” a 25 year old colleague told me. “Her face hasn’t changed and she’s had a bum lift,” another sub-30 female said.

Kylie would well know that most Gen Ys couldn’t care less about her, and that Gen Xs respect her but probably wouldn’t buy her music. That could be why she shunned the Young Talent Time reunion this year, and why she was the only inductee to the list of Australia’s National Living Treasures to duck this weekend’s photo call.

No matter. Gay people are the ones who propelled Kylie into the pop stratosphere while her former TV beau and duet buddy Jason Donovan popped and fizzled.

Most artists should be so lucky to have a fanbase half as devoted.

 

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28 comments

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    • Zac says:

      06:26am | 06/03/12

      Love4$$$$$$$$

    • Gratuitous Adviser says:

      09:47am | 06/03/12

      “National Treasure” Award4$$$$$$$$$$.  Good on her for missing the irrelevant NSW Nationa Trust, “national treasure” fiasco this year.  Clive Palmer, they are kidding?  Peeeuuuu.

    • Mahhrat says:

      06:38am | 06/03/12

      I remember very clearly a gay friend of mine in high school - yes, 18 years ago - being totally devoted to her even then.

      The only problem I have with this “National Treasure” thing is that SHE considers herself more British than Australian now.

      We Ozzies have a nasty habit of clinging desperately to every shred of international success, from our cricket team to Hugh Jackman.  We steal other country’s stars, particularly New Zealand’s, probably and only because we feel like we can bully them around.

      This needs to stop.  I maintain we are one of the best places in the world to live.  We don’t need to prove that success to anybody.

    • ronny jonny says:

      06:41am | 06/03/12

      She is the least natural, most untalented, manufactured, plastic performer I have ever seen. I include Milli Vanilli in that statement. Stiff, poorly choreographed dance numbers, woeful costuming and worst of all she just can’t sing. If she had a good voice I could forgive all the rest but she is really terrible vocally. Never wrote song, even the banal and simple stuff she puts out is too hard for her to write herself. At least we have the consolation of being able to blame the poms for her inexplicable popularity.
      Even worse, she is starting to look disturbingly like Rhonda Birchmore.

    • Kebabpete says:

      07:18am | 06/03/12

      When has not being able to sing, write, dance, or exude any other talent meant that you couldn’t be a famous pop star? I thought they were the prerequisites for pop! If you could do any of them then you’d be a rock star.

    • UTS says:

      07:19am | 06/03/12

      In a couple of photos lately she looks like Joan Rivers,yeeeeeeek

    • KH says:

      07:22am | 06/03/12

      She is Madonna ultra light - a cheap imitation barely worthy of being called an imitator.  And I’m no fan of madonna either - but i’ve never been a fan of middle of the road crap music fronted by manufactured bimbos and himbos…...............at least madonna was an original - she knows how to play trends and she gets there first - and others like Minogue just trail in her wake…..........

    • Led Stones says:

      07:38am | 06/03/12

      “she just can’t sing”

      You’re on the money there ronny jonny. Julia Gillard or Rhonda Birchmore singing opera in the shower would be more enjoyable and easier on the eye.

      “being able to blame the poms for her inexplicable popularity”

      This is also truly amazing, especially when one considers what great talent the poms have given us over the years…what the hell did they find so likeable about Kylie? It certainly wasn’t talent.

    • Michael says:

      08:15am | 06/03/12

      Music is just music, you scale it the way you do in an effort to define yourself by the type of music you advocate for or against, silly monkey smile

    • KH says:

      08:39am | 06/03/12

      Led Stones - yes, England is the country that is summoning Englebert Humperdinck from the dead as their Eurovision entrant…............I think that says it all about their sometimes questionable taste in music…...........bwahahahahahaha

    • Nathan Explosion says:

      09:02am | 06/03/12

      My favourite album of hers is the one she wrote mostly by herself - “Impossible Princess”. Regrettably, it was a commercial failure, so the labels would prefer she sings what sells.

    • Susi says:

      10:43am | 06/03/12

      I’ve seen her perform twice and she was brilliant both times.  Her shows were highly enjoyable and I was pleasantly surprised to note that she sang live and was actually a pretty good vocalist.  I have worked in events and radio and have seen a hell of a lot of gigs of all genres and can happily say that hers was great.  Her face is getting a bit weird but I think she stopped a lot of that after she had cancer as she now seems to be happy with being a bit curvier and not continuing to mess with her face.  By all accounts she is a sweet, happy, genuinely nice person so I maybe you should lay off.

    • Led Stones says:

      12:46pm | 06/03/12

      @ KH - There is a big difference.

      Engelbert Humperdinck can sing…Kylie can’t.

    • Paul says:

      07:16am | 06/03/12

      I’m sorry, but jusy because one happens to be gay does that mean we all like mindlessly dancing to Kylie off our faces on drugs in some nightclub?  I actually like sitting at home and and reading a book or listening to daggy 70s music.  I don’t appreciate being typecast, thank you.

    • stephen says:

      08:07am | 06/03/12

      I like to sit at home, drugged out, listening to daggy Kylie ... which is the only time I can take her.

      And it’s not only the gay fan-base who she patronizes, but the virgin one too, (no, not the planes) e.g. just look at her Japanese market, where everyone under 55 carries a pink back-pack with rubber teddies hanging off them ; I mean, if you want to be thought of as special, why wouldn’t you go for Arcadian as well ?

      And loving and looking after virgins is the same as being one.
      Kylie’s our clean machine.

      (I’m kinda expecting one day our Kylie comes out on stage in an Eve costume, with a big blank cheque stuck just where her bikini bottom should be.)

    • Doug Dangur says:

      09:12am | 06/03/12

      As a gay man I couldn’t agree more.

      I pray that Kylie one day will come to terms with her own sexuality and feel as liberated and content as I do and not feel compelled to participate in or endorse an anachronistic parade that represents but a fraction of my community.

    • Lloyd says:

      03:15pm | 06/03/12

      I’ll take Dannii over Kylie anyday. Her dance singles are far superior, in my opinion, some of the remixes on “Touch Me Like That”, “He’s The Greatest Dancer”, “Perfection” and “So Under Pressure” are HOT…as for Kylie, I appreciate her supporting us but I don’t go gaga when I hear her name mentioned.

    • subotic says:

      08:16am | 06/03/12

      Yes, of course, the more gay followers you have the more credible your talent.

      I hope all my gay followers just un-liked me and stopped buying my music, hehehehehe…

    • Huey says:

      08:57am | 06/03/12

      She’s no tall poppy! Onya Kyles keep on doing it.

    • Kid Handsome says:

      09:02am | 06/03/12

      That duet with Nick Cave was the best thing she ever recorded (can’t say I paid too much attention to the rest though). Fantastic song.

    • babe in the woods says:

      10:42am | 06/03/12

      I agree with you there Kid.  She actually is in a few songs with Nick Cave, along with some surprising characters like Shane MacGowan.  Her and Nick have a long history.  If you cared to read what she says about Nick, you would know he always encouraged her and made her explore new boundaries.  Pushing her onstage and telling her to simply recite the lines to “Lucky” was a bit of a turning point.  So, Ant, I can’t agree it was a slip up.  I think it might have actually been a case of Kylie allowing herself to simply enjoy making the sort of music she enjoys with people she likes and respects.  A little bit of playground before back to the grinding wheels of the money machine.

    • SZF says:

      11:38am | 06/03/12

      I think my favourite description of Where the Wild Roses Grow was: “Best thing she’s ever recorded…and worst thing he’s ever recorded.”

      More power to her though, she’s just not my sort of artist. I prefer my songs non-autotuned (and that goes for all the Gagas, Beibers and their ilk too!)

    • Dieter Moeckel says:

      11:03am | 06/03/12

      National Living treasures - Bah Humbug to all of them -

    • Love hate Kylie says:

      11:25am | 06/03/12

      She’s a bitch. She has snubbed the gay community for way too long, and played more gay events overseas than she has here. She has been in town many times at mardi gras time and not bothered to pay homage to her most loyal fans. Only when mardi gras and her own career is in decline does she come crawling back.

      Bitch

    • CJ says:

      01:04pm | 06/03/12

      “We here in the print and online media are always being told to know who our readers are, and to direct our efforts towards producing content they’ll enjoy.”

      So presumably you thought Punch readers would enjoy a ruderless piece that explores the not-so-novel fact Kylie is big with gays? Who knew?

    • Ian says:

      04:39pm | 06/03/12

      What a bunch of narrow minded, tall poppy syndrome, narcissistic bunch of brave keyboard warriors. If any of you had managed to listen to any of her live music at all, you’d know that she’s got one heck of a good voice (Try her latest offerings on her YouTube channel).
      No wonder there’s no home grown music (that’s any good) that stays in your country. Why should they when you’re all too busy stabbing them in the back, as soon as they’re far away of course. Shameful.
      Oh, and by the way. She refused to take her substantial fee for Mardi Gras, so isn’t really in it for the money is she, eh?

    • Mark/Fox says:

      07:48pm | 06/03/12

      The only Kylie I respect as an Australian represententive is Kylie Mole, Kylie Minogue, she is that British shelia isnt she. I bet there is some nasty infections getting around after the weekend.

    • Audra Blue says:

      09:29pm | 06/03/12

      I’ve never been a Kylie fan.  Her voice is way too nasally for my taste and her music is really utter dance pop crap.  I like a couple of her songs but not enough to buy any of her albums.

      Still, good on her for knowing her market and playing to them.  That’s what I call a shrewd businesswoman.

 

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