As the controversial episode of At Home with Julia aired last night, it became more and more clear that if the Prime Ministership of Julia Gillard is recalled for anything besides perceived incompetence, it should be for her role as a lightning rod for Australia’s unashamed public misogyny.

Hear the shrieks. “What do you mean, ‘misogyny’? We’ve got a woman prime minister,’’ screams the defence, quietly adding, “not that she’s any bloody good.”
Fair comment. What isn’t fair comment, even in the dirt of politics, is public ranting against the witch, the bitch, and Juliar. And then there is ABCTV’s screen insult to both comedy and an intelligent woman who leads the country.
Misogyny, the social hatred of women, is evident in all of the above.
Tarnishing the country’s first female leader has gone beyond sexism to an almost visceral hatred, fuelled by a passion far richer than the carbon debate. Consider “witch” and “bitch”. Both terms demean not only Gillard, but are commonly used to disparage all women, especially those who challenge men.
Even Juliar plays on a feminine name in a way not seen in the past. If so, why didn’t we have similarly personal Abbott and Costello satire during the Howard government?
Then there is At Home With Julia. The name says it all. The political satire of Julia’s impact on our lives does not emerge from her living room. It is played out in cabinet, parliament and the public domain.
This supposed satire is at best sexist, in that it attempts to purloin Gillard, the politician, in her lounge room. At worst, it reflects misogynist resentment towards a woman who has stepped way outside the lounge room and into the public sphere.
Anything that concentrates more on Gillard’s little-known private life than her public role cannot possibly be defined as a political satire. Even by the simple definition of misogyny given on the most accessible research tool of modern times, Wikipedia, then Gillard is a victim.
It quotes sociologist Allan G. Johnson’s definition of misogyny as “a cultural attitude of hatred for females because they are female”.
Johnson argues misogyny has a central role in sexist prejudice and ideology. As such, it is an important basis for the oppression of females in male-dominated societies and manifests in many ways, “from jokes to pornography to violence”.
Julia At Home lampoons Gillard by suggesting she is disorganised, dishevelled and to some degree incompetent. There is no hint of any of these characteristics in any facts relating to Gillard’s efforts, character or conduct. In fact, most accounts suggest the opposite.
So why do a television show ostensibly about the prime minister which focuses on her domestic life? Lampooning of previous leaders such as John Howard and Bob Hawke concentrated on their public persona, playing up individual physical features. And despite all the material it may have provided, even Hawke satires did not venture into his living room, let alone his bedroom.
Yet the first time Australia has a female leader, the satire is her home-life, not any of the unpleasant Yes Minister-like policy disasters that result from her uncomfortable alliance with the Greens and independents.
And just because the At Home tragedy features a woman as a writer and central character does not preclude misogyny. Women are products of this misogynist culture. For many, the easiest option is to go along with it. Just look at how many “witch”, “bitch” and “Juliar” banners are carried by women.
Then look at Gillard to see where swimming against a misogynist culture gets a woman.
Even if not enamoured by Gillard’s leadership, she deserves to have detractors play the political ball, not the woman. There is an entire culture of difference between intellectual debate about the competence of a leader as opposed to sex-based insults against her character.
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